Natalie’s work is grounded in the natural intelligence of fractal geometry, self-repeating patterns found in tree branches, lightning strikes, riverbeds, and even the human nervous system. Using an intuitive drip technique, she creates complex, layered compositions that echo the organic systems of the natural world. This isn’t just visual art—it’s neurological architecture.
Scientific research shows that mid-range fractal patterns, like those found in Hollywood’s paintings, stimulate the brain’s reward centres and reduce stress, evoking a powerful, subconscious response in viewers. Her work resonates with the same ease and familiarity we experience in nature, triggering alpha brainwaves associated with relaxation, clarity, and creative flow.
Every piece holds a dynamic tension between chaos and order, unpredictability and structure, qualities we instinctively recognise from the natural world. This makes the viewing experience not just intellectually engaging but emotionally and somatically resonant.
For collectors and investors, this is more than art, it’s divine cartography for the soul. These pieces offer lasting emotional impact and cultural relevance, grounded in both aesthetic innovation and scientific insight. As the art world shifts toward experiential value and neuroaesthetic understanding, this work is at the forefront.
Natalie plans to expand her work at huge scale utilising multiple aluminium panels that piece together, as well as perspex as a medium, in order that she may create weather resistant outdoor work, part art, part environment.